Widely acclaimed for its accessibility and engaging approach to the subject, the fourth edition of The Methods and Skills of History combines theory and instruction with hands-on practice, making it a comprehensive guide to historical research and writing. Combines theory with hands-on practice in its introduction to historical methods Includes a series of field-tested exercises designed to make the research and writing of history more meaningful and accessible to readers Features expanded coverage of writing history and up-to-date coverage of online research Designed to strengthen students' critical thinking and communication skills

This is a fascinating new overview of European-American relations during the long twentieth century. Ranging from economics, culture and consumption to war, politics and diplomacy, Mary Nolan charts the rise of American influence in Eastern and Western Europe, its mid-twentieth century triumph and its gradual erosion since the 1970s. She reconstructs the circuits of exchange along which ideas, commodities, economic models, cultural products and people moved across the Atlantic, capturing the differing versions of modernity that emerged on both sides of the Atlantic and examining how these alternately produced co-operation, conflict and ambivalence toward the other. Attributing the rise and demise of American influence in Europe not only to economics but equally to wars, the book locates the roots of many transatlantic disagreements in very different experiences and memories of war. This is an unprecedented account of the American Century in Europe that recovers its full richness and complexity.

America's global cultural impact is largely seen as one-sided, with critics claiming that it has undermined other countries' languages and traditions. But contrary to popular belief, the cultural relationship between the United States and the world has been reciprocal, says Richard Pells. The United States not only plays a large role in shaping international entertainment and tastes, it is also a consumer of foreign intellectual and artistic influences. Pells reveals how the American artists, novelists, composers, jazz musicians, and filmmakers who were part of the Modernist movement were greatly influenced by outside ideas and techniques. People across the globe found familiarities in American entertainment, resulting in a universal culture that has dominated the twentieth and twenty-first centuries and fulfilled the aim of the Modernist movement—to make the modern world seem more intelligible. Modernist America brilliantly explains why George Gershwin's music, Cole Porter's lyrics, Jackson Pollock's paintings, Bob Fosse's choreography, Marlon Brando's acting, and Orson Welles's storytelling were so influential, and why these and other artists and entertainers simultaneously represent both an American and a modern global culture.

'Anti-Americanism' is an unusual expression; although stereotypes and hostility exist toward every nation, we do not hear of 'anti-Italianism' or 'anti-Brazilianism'. Only Americans have elevated such sentiment to the level of a world view, an explanatory factor so significant as to merit a name - an 'ism' - usually reserved for comprehensive ideological systems or ingrained prejudice. This book challenges the scholarly consensus that blames criticism of the United States on foreigners' irrational resistance to democracy and modernity. Tracing 200 years of the concept of anti-Americanism, this book argues that it has constricted political discourse about social reform and US foreign policy, from the War of 1812 and the Mexican War to the Cold War, from Guatemala and Vietnam to Iraq. Research in nine countries in five languages, with attention to diplomacy, culture, migration and the circulation of ideas, shows that the myth of anti-Americanism has often damaged the national interest.

Do Americans care what foreigners think about the United States? This book makes the case that they should. In these pages, Jorge Castaneda writes from his unique vantage point as a former Foreign Minister of Mexico who has lived, studied, and worked in America. He offers an impressionistic,analytical, and intuitive review of his experience in the country over the last half-century, and shows how foreigners can provide perspective on the United States' true nature. Castaneda brings a different viewpoint to issues ranging from purported American exceptionalism, uniformity, race andreligion, culture, immigration, and the death penalty.Visitors and analysts, from Dickens to Naipaul, have generally asked the right questions and described America's most salient features and mysteries. But, they have not always followed through with answers and explanations. Castaneda draws from his work with American civil society and governmentauthorities to provide both insight and context. Americans have long seen their country as "exceptional," standing outside of history, but by comparing its contemporary politics and culture with those of other countries, Castaneda shows how increasing nationalism and nostalgia are actually makingthe US more like other countries.Castaneda admits that most Americans have never cared much about what a foreigner thinks about their country, but the dynamic is shifting. The outside world means more to the US than ever before, and Americans should care about what foreigners think since they are now so sensitive to what foreignersdo. Since Trump's election in 2016, American politics increasingly resemble those of Europe, Latin America, and parts of Asia, such that pining for a lost and glorious past is as American as it is British, Mexican, Chinese, or Italian. Now, the questions that serious, knowledgeable, and sympatheticforeigners address to Americans may be the ones Americans ask - or should ask - for themselves.